Author: Charlie Bertsch
Charlie Bertsch is the co-director of Souciant.com. He teaches literature and humanities at the University of Arizona.

As I stared up at the mountains I love, glowing a beautiful and terrifying orange, trying to suppress a cough that just kept coming, listening to the new Sleaford Mods collection All That Glue was surreal. (More…)

A whirring mechanical device that hasn’t settled into a rhythm; a keening tone that wobbles slightly over the top; a thump that falls precisely where a beat wouldn’t: Alles in Allem, the new album by Einstürzende Neubauten, opens with a reminder of their origins as musicians who call the very idea of music into question. (More…)

Scacco Matto sounds like a mosaic of Europop hits from the early 1980s. The album is made from pieces so tiny, their arrangement so abstract, that it transcends the referentiality of so much postmodern music. (More…)

Every track on Vladislav Delay’s new album Rakka starts with the letter R. Each feels more relentless than the last, from the opening title track through “Rakkine” (“contraption”), “Rampa” (“cripple”) and “Rasite” (“burden” or “albatross”). (More…)

Guerrilla, the debut LP by Angolan refugee producer Nazar, makes for compelling listening, even if you know nothing about him. (More…)

After days of reading one depressing news story after another about the pandemic that has turned our world upside down, I was desperate for anything that would brighten my spirits. (More…)

Molecular Meditation, the new collaboration between Jan St. Werner – half of the influential Berlin duo Mouse on Mars – and Mark E. Smith – the deceased frontman of post-punk stalwarts The Fall – is a proudly self-indulgent record. (More…)

If someone put you in a dark room and played you a version of Icelandic band Kaelan Mikla minus the vocals, you might well wonder which neglected post-punk band from the early ‘80s was in the process of being rediscovered. (More…)

When a band has been around as long as Wire, starting off a new record with the line “It’s nothing new” feels like a dare. (More…)